Dawn M. Nash is a professional photographer and an incredible artist. We worked together earlier this year on a series of pictures, some of which you will see here. As a pro, Dawn is always intent on meeting the needs of her clients. This series represents a playful departure from her bread-and-butter work, and a return to her roots as a fine artist.
Upon seeing the first completed images I was struck by how contemporary they are.The first image remains my favorite. As soon as I saw the picture I loved how it references European art historical Venuses and reclining nudes while also feeling relevant to both historical and contemporary photography. The work of Mikalene Thomas came immediately to mind. There are elements of the documentarian and portraitist in Dawn’s work, but she is a storyteller. Dawn’s narrative eye prevails throughout. In his essay Photography out of Conceptual Art, critic Steve Edwards describes how fine art photography in the 1970’s began to “avoid the supposed neutrality of documentary photography, whose central ideology is the invisibility of the photographic apparatus.” Dawn’s deft use of lighting, costumes and sets erases that neutrality.
Never is this truer than in the series of images we shot in my kitchen. Referencing the performative documentary photography of Cindy Sherman, the images straddle the line between re-enforcing and undermining prevailing gendered ideologies. Agent, object or subject? It’s hard to tell. This ambiguity accurately illustrates the human experience, especially for women. I have found myself equivocating between agent, object and subject many times in my life.