ARTSD 2016, booth 401

Contemporary art, drawing painting and sculpture by Lee Puffer at ART SAN DIEGO 2016

A view into ART SAN DIEGO 2016 booth 401 featuring work by Lee Puffer. Seen here, Puffer’s three “Brainstorm” sculptures (purple, blue, and yellow) five sets of white porcelain and gold hand sculptures (below, foreground), and two large framed “Brainstorm” drawings (on wall, behind sculpture). All work is for sale.

I am please to be represented at ART SAN DIEGO 2016 again this year. Booth 401 is a joint project by some of San Diego’s most interesting arts organizations; the Mesa College Museum Studies Program, The San Diego Art Prize, San Diego Art Institute, and San Diego Visual Arts Network. The collaboration between these organizations is rooted in a mutual interest to promote artists, exhibit their work, and network with the San Diego community.
The booth features artwork by San Diego Art Institute members who have been past years’ nominees for the San Diego Art Prize, and highlights the artists that have made the transition from their studios to solid representation in the San Diego art scene. My work was nominated for the Art Prize in 2011.
There is a range of affordable artwork available, including drawing, painting, sculpture, textiles and ceramics. Other participating artists include Claudia Cano, Andrea Chung, Beliz Iristay, Bhavna Mehta, Margaret Noble, PANCA, Sasha Koozel Reibstein, Aren Skalman, Anna Stump and Joe Yorty.
It a pleasure to be in such good company. Joe Yorty and Sasha Koozel Reibstein  were two of my favorites from the group.

Contemporary Ceramic Sculpture at PLNU

Exhibition Announcement. Contemporary Ceramic Sculpture at Point Loma Nazarene University Keller Art Gallery

Exhibition Announcement. Contemporary Ceramic Sculpture at Point Loma Nazarene University Keller Art Gallery

I am pleased to have my installation, Duende, included in this survey exhibition of contemporary sculptors. The work is on view at the Point Loma Nazarene University Keller Art Gallery through September 30, 2016.

Click here for more information on Duende. And let me know what you think.

Detail of Duende, by Lee Puffer

Detail of Duende, by Lee Puffer

Duende, by Lee Puffer. Installation view.

Duende, by Lee Puffer. Installation view.

 

 

The Human Eye

I took the theme of Eyes literally for the exhibition, Through the Eyes of an Artist, on view at The Studio Door Gallery until June 29th, 2016. As it happens, my most recent sculpture and painting feature an abundance of oddly placed human eyes. The human eye, in absence of the face and body, appears throughout art history in a variety movements and traditions. Here are a few.

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False Mirror by Rene Magritte

The eye is ubiquitous in Surrealism, an art movement of the 20th century that concerns itself with depicting dream states, desire, nightmares, and the bizarre world of the human imagination and subconscious. False Mirror (1928),above, one of the most famous paintings by Rene Magritte, seems to imply that human vision is limited, a mirror of our subconscious and a symbol of selective and subjective personal view. The eye in this painting has multiple functions, looking, looked at, looked through.

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The Apology by Mark Ryden

Contemporary Lowbrow or Pop-Surrealist painter Mark Ryden’s The Apology (2006) features a human eye in the center of a cut tree trunk. With themes borrowed from surrealism and painted in old masters style, Ryden’s paintings both defy and define the categorization of lowbrow art.

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Obscura by Tony Oursler

Eye imagery proliferates in the work of contemporary international art star Tony Oursler. Here in Obscura, a multimedia installation 2014, video of human eyes are projected onto sculptural orbs suspended in the darkened gallery. Eerily subverting the art experience of looking at art in a gallery, Oursler’s installation is looking at you.

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Tears of Joy,  by Alex Grey

The human eye is a common feature of folk art, mysticism, and psychedelic art as a symbol of higher power and consciousness. In Alex Grey’s Tears of Joy, the eye image is repeated until it becomes a pattern.

current exhibition of new sculpture by Lee Puffer

Through the Eyes of An Artist, and exhibition featuring Lee Puffer at The Studio Door, North Park, San Diego

Who Cares About Originality?

There are artists, especially young artists, who tend to focus on originality. These artists try to do things that “haven’t been done before” or something “entirely new”. This is a waste of time. I’d like to say that originality doesn’t exist, that it is a notion based on a failure of research, which I do believe to be true, but with technology moving so quickly I have to allow that there will be new, utterly original ideas, tools and objects.

So I guess my argument is, so what? SO you were the first to use a material or technique? Who cares? Other people will do it; some will even do it better than you. After a while it won’t matter who did it first. Quality works of art that resonate will stand the test of time and be examples of their form and style.

Young students, especially those who have not had much exposure to art and design history, often think that because they have never seen something like what they have just made, that it is something entirely new.

I tell them newness is irrelevant. Not good or bad, just not relevant. The more research we do, the more real looking, the more we are able to recognize elements of other artworks in our own. This is a good thing. Acknowledging these influences and investigating them is deepens our engagement to the work and the rest of humanity.

Humans have been around for a long time. All along we have been making things. We are all connected by those objects and images.

Originality doesn’t matter, quality does. For an original object there has to be no other before it, the only one of its kind, never been done before. As soon as something is invented in the world, artists begin to adopt the new material, style, equipment or technique to use in their own way.

Ceramic Sculpture, by Lee Puffer

Snake Dream Brainstorm, by Lee Puffer. 2016. Ceramic and mixed media.

The point is to do what you do in your own way. Do not be too concerned about whether or not is has been done before. If you are working on making your most authentic work, you will be creating a unique artwork, even if it may share some qualities with an existing artwork.

Summer Workshop Registration Now Open

This summer I have the pleasure of leading a two-week Ceramics handbuilding intensive for artists of all levels in the beautiful mountain retreat center, Idyllwild Arts Center.

Plans for the workshop include working from the live model and 24 hour studio access.

Class sizes are small so register now! I can’t wait to see you this summer in Idyllwild.

www.idyllwildarts.org/ceramics for more information and to register.

Workshop Flyer for Lee Puffer Summer Ceramics Intensive

Catalog image for Ceramic Scuplture: Anything is Possible! A two-weel ceramic workshop led by Lee Puffer at the Ifyllwild Arts Center in California

Reaserve your spot in my two-week ceramics intensive in the beautiful mountains of Idyllwild California. This summer, July 4-15, 2016. Register at www.idyllwildarts.org/ceramics

Reaserve your spot in my two-week ceramics intensive in the beautiful mountains of Idyllwild California. This summer, July 4-15, 2016.
Register at http://www.idyllwildarts.org/ceramics

Push Into Your Certainty

Do not avoid conversations about your artwork. When you are asked to explain your work to others it helps you to clarify and distill your ideas. you benefit from these interactions, especially when the people asking are truly interested in the work. When you are asked to defend your ideas, you define them, hone them, and invest in them. You may state your thoughts and opinions, but you wont truly know where you stand until you are asked to defend your position. This is why presidential debates, and debates in general are important. It’s great exercise to defend oneself. It makes you stronger. In art you will be asked to explain your choices, be it material, subject matter, or style. Embrace the opportunity to have conversations where you are asked to defend your position, or to justify your choices. See this not as criticism or evidence that your choices are wrong or invalid, but as an opportunity to be pushed further into your certainty.

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BlowTorch by Lee Puffer. 2016. Watercolor and collage on paper.

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Wisdom or Fear? by Lee Puffer. 2016. Watercolor and collage on paper.

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Attachment by Lee Puffer. 2016. Watercolor and collage on paper.

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Dream of Snakes by Lee Puffer. 2016. Watercolor and collage on paper.

Art is an Open Country

 

Red Brainstorm by Lee Puffer 2016. Mixed media on paper.

Red Brainstorm by Lee Puffer 2016. Mixed media on paper.

Art is an open country. Everyone can stay. In a creative environment where everyone is welcome, there are bound to be differences of opinion, differences in modes of expression, and delivery systems.

Sometimes there is chaos in my classroom. I see it as controlled chaos, but some may see it as out of control. I am aware of that. It is ok. Some may think that I am lazy and that is why I do not take control of my class. Or perhaps I am inexperienced and lack the ability to deal with the disorder. It may be that I don’t notice it.

I assure you, none of those things is true. I see who gets annoyed, who sighs and judges and shakes their heads. I see you. I value your comfort, I do. But I value the chaos more. No one is getting hurt. No one feels threatened either physically or emotionally. It’s all ok.

Blue Brainstorm by Lee Puffer, 2016. Mixed media on paper.

Blue Brainstorm by Lee Puffer, 2016. Mixed media on paper.

Art is an open country. Everyone can stay.

Even the noisy ones. Even the ones who mutter to themselves. Even the ones who ask the same question over and over again. Even the ones who need a ton of extra help just to get through the day.

All opinions are valid. You get to have yours, I get to have mine. That guy who is going to vote for Donald Trump gets to have his. We all get to express ourselves in art class. That is why we are here. We may not love the chaos. We may prefer a more serene environment in which to practice our art. Sometimes I prefer that too.

If you want silence, go to a library. If you want an open forum for self-expression, come to my art class.

Blonde Brainstorm by Lee Puffer, 2016. Mixed media on paper.

Blonde Brainstorm by Lee Puffer, 2016. Mixed media on paper.

Music, theatre, literature, and visual art can all represent the highest form of human expression. In fact, entire ancient cultures are evaluated based solely on their artistic output. Perhaps art is not valued so much these days, but that’s a topic for another time. Art matters and always will, despite current fashion.

Human expression needs an open forum to grow. An open forum can, at times, be chaotic. Controlling that chaos could limit the potential for human expression to grow. I’m not willing to risk that.

Green Brainstorm by Lee Puffer, 2016. Mixed media on paper.

So what if we are uncomfortable? Art thrives in discomfort. If it doesn’t, it should. Sustaining an artistic practice demands we be resilient. There will be many things in life that to try to distract us form our practice. Partners, kids, and jobs come to mind.

If we can learn to create within the chaos, we will be better artists. If we can accept and appreciate a variety of opinions, diverse manners of expression and different temperaments, we will be better spokespersons for our culture.

Brown Brainstorm by Lee Puffer, 2016. Mixed media on paper.

Faculty Exhibition at Boehm Gallery

Surprise Video

The San Diego Mesa College Museum Studies students stopped by the studio for a vist and seruptitiously recorded me talking about some recent work. Dia Bassett recorded and edited this video. I’m glad I didnt know it was being captured at the time, but I’m happy to have this clip now. Thanks to the San Diego Mesa College Museum Studies program for the visit and for all great work you do supporting artists and arts professionals.