Creative Bloch Magazine

I just received my copy of this great independent art magazine. There’s a nice four page spread on my sculpture, along with excellent work by 12 other artists. It’s Issue # 3, Winter 2108 of Creative Bloch Art Magazine. Order your own copy here.

Lee Puffer contemporary artist featured in Creative Bloch art magazine
Cover image of Creative Bloch Magazine, Issue #3 Winter 2018
Lee Puffer, contemporary artist, featured in independent art magazine Creative Bloch
Page 28, Creative Bloch Magazine Issue #3 Winter 2018
Images of contemporary sculpture by Lee Puffer in Creative Bloch Magazine
Page 29, Creative Bloch Magazine
Images of contemporary sculpture by Lee Puffer in independent Art Magazine, Creative Bloch.
Page 30, Creative Bloch Magazine, Issue #3 Winter 2018
Images of sculpture by contemporary artist, Lee Puffer, in Creative Bloch Magazine
Page 31, Creative Bloch Magazine, Issue #3 Winter 2018

ARTSD 2016, booth 401

Contemporary art, drawing painting and sculpture by Lee Puffer at ART SAN DIEGO 2016
A view into ART SAN DIEGO 2016 booth 401 featuring work by Lee Puffer. Seen here, Puffer’s three “Brainstorm” sculptures (purple, blue, and yellow) five sets of white porcelain and gold hand sculptures (below, foreground), and two large framed “Brainstorm” drawings (on wall, behind sculpture). All work is for sale.

I am please to be represented at ART SAN DIEGO 2016 again this year. Booth 401 is a joint project by some of San Diego’s most interesting arts organizations; the Mesa College Museum Studies Program, The San Diego Art Prize, San Diego Art Institute, and San Diego Visual Arts Network. The collaboration between these organizations is rooted in a mutual interest to promote artists, exhibit their work, and network with the San Diego community.
The booth features artwork by San Diego Art Institute members who have been past years’ nominees for the San Diego Art Prize, and highlights the artists that have made the transition from their studios to solid representation in the San Diego art scene. My work was nominated for the Art Prize in 2011.
There is a range of affordable artwork available, including drawing, painting, sculpture, textiles and ceramics. Other participating artists include Claudia Cano, Andrea Chung, Beliz Iristay, Bhavna Mehta, Margaret Noble, PANCA, Sasha Koozel Reibstein, Aren Skalman, Anna Stump and Joe Yorty.
It a pleasure to be in such good company. Joe Yorty and Sasha Koozel Reibstein  were two of my favorites from the group.

The Enemy of Good is Better

One of my colleagues in the ceramics studio at Coronado Clay is a Cardiothoracic Surgeon. That’s his day job. As an artist, he’s a perfectionist. I watch him regard with disgust his recent creations; nothing he makes is good enough to keep.

One day while working he asked me when or how I know when a sculpture is finished. I said I never do know but I stop when I believe the piece to be good enough. If the piece seems to be working, I consider it finished and move on to the next one. I do this not because I don’t want to push myself to make the work better, but that I do not want to go too far and ruin something that is already good. I have a tendency to keep adding layers of imagery and information to my sculpture. In recent years I have been trying to pare down the work, spread the ideas a little thinner and simplify the sculptures both formally and conceptually. This is tricky for me. I am a “more is more” person.

Ceramic and stitched vinyl
“More, More, More ” Ceramic and stitched vinyl

Luckily, there is always another sculpture to make. It is in subsequent artworks in a series where I am allowed to challenge myself to take additional risks. Because I always work in series, I can exhaust an idea thoroughly and/or allow it to lead me to the next piece, always trying to improve and evolve.

My surgeon friend understood this idea. Evidently in surgery they say “The Enemy of Good is Better”. Surgeons are perfectionists. They use this phrase to remind themselves to stop when the procedure is “good” rather than invite risk by trying to make it “better”. In art or surgery, we stop before we go too far.