RIPE: Faculty Exhibition at Palomar College

There are only a few days to see RIPE, the Annual Faculty Exhibition at Palomar College in San Marcos, California.

Poster announcement of art exhibition

RIPE Faculty Exhibition at Palomar College . 

My installation/wall piece, Duende, will be on view until next Tuesday. I’ll be there Monday,December 12th at 11:30AM. Join me for a guided tour of the exhibition.

Duende

Duende, by Lee Puffer. Installation view.

I’ve donated a couple of sculptures to the silent auction that supports the art department’s visiting artist program, including this small work (below).

image of snake/hand sculpture by Lee Puffer

Snake/Hand, by Lee Puffer 2016 Ceramic Sculpture

 

Advertisements

Contemporary Ceramic Sculpture at PLNU

Exhibition Announcement. Contemporary Ceramic Sculpture at Point Loma Nazarene University Keller Art Gallery

Exhibition Announcement. Contemporary Ceramic Sculpture at Point Loma Nazarene University Keller Art Gallery

I am pleased to have my installation, Duende, included in this survey exhibition of contemporary sculptors. The work is on view at the Point Loma Nazarene University Keller Art Gallery through September 30, 2016.

Click here for more information on Duende. And let me know what you think.

Detail of Duende, by Lee Puffer

Detail of Duende, by Lee Puffer

Duende, by Lee Puffer. Installation view.

Duende, by Lee Puffer. Installation view.

 

 

The Human Eye

I took the theme of Eyes literally for the exhibition, Through the Eyes of an Artist, on view at The Studio Door Gallery until June 29th, 2016. As it happens, my most recent sculpture and painting feature an abundance of oddly placed human eyes. The human eye, in absence of the face and body, appears throughout art history in a variety movements and traditions. Here are a few.

False-mirror

False Mirror by Rene Magritte

The eye is ubiquitous in Surrealism, an art movement of the 20th century that concerns itself with depicting dream states, desire, nightmares, and the bizarre world of the human imagination and subconscious. False Mirror (1928),above, one of the most famous paintings by Rene Magritte, seems to imply that human vision is limited, a mirror of our subconscious and a symbol of selective and subjective personal view. The eye in this painting has multiple functions, looking, looked at, looked through.

markryden14

The Apology by Mark Ryden

Contemporary Lowbrow or Pop-Surrealist painter Mark Ryden’s The Apology (2006) features a human eye in the center of a cut tree trunk. With themes borrowed from surrealism and painted in old masters style, Ryden’s paintings both defy and define the categorization of lowbrow art.

obscura_big

Obscura by Tony Oursler

Eye imagery proliferates in the work of contemporary international art star Tony Oursler. Here in Obscura, a multimedia installation 2014, video of human eyes are projected onto sculptural orbs suspended in the darkened gallery. Eerily subverting the art experience of looking at art in a gallery, Oursler’s installation is looking at you.

Tears-of-Joy-alex-grey

Tears of Joy,  by Alex Grey

The human eye is a common feature of folk art, mysticism, and psychedelic art as a symbol of higher power and consciousness. In Alex Grey’s Tears of Joy, the eye image is repeated until it becomes a pattern.

current exhibition of new sculpture by Lee Puffer

Through the Eyes of An Artist, and exhibition featuring Lee Puffer at The Studio Door, North Park, San Diego

Who Cares About Originality?

There are artists, especially young artists, who tend to focus on originality. These artists try to do things that “haven’t been done before” or something “entirely new”. This is a waste of time. I’d like to say that originality doesn’t exist, that it is a notion based on a failure of research, which I do believe to be true, but with technology moving so quickly I have to allow that there will be new, utterly original ideas, tools and objects.

So I guess my argument is, so what? SO you were the first to use a material or technique? Who cares? Other people will do it; some will even do it better than you. After a while it won’t matter who did it first. Quality works of art that resonate will stand the test of time and be examples of their form and style.

Young students, especially those who have not had much exposure to art and design history, often think that because they have never seen something like what they have just made, that it is something entirely new.

I tell them newness is irrelevant. Not good or bad, just not relevant. The more research we do, the more real looking, the more we are able to recognize elements of other artworks in our own. This is a good thing. Acknowledging these influences and investigating them is deepens our engagement to the work and the rest of humanity.

Humans have been around for a long time. All along we have been making things. We are all connected by those objects and images.

Originality doesn’t matter, quality does. For an original object there has to be no other before it, the only one of its kind, never been done before. As soon as something is invented in the world, artists begin to adopt the new material, style, equipment or technique to use in their own way.

Ceramic Sculpture, by Lee Puffer

Snake Dream Brainstorm, by Lee Puffer. 2016. Ceramic and mixed media.

The point is to do what you do in your own way. Do not be too concerned about whether or not is has been done before. If you are working on making your most authentic work, you will be creating a unique artwork, even if it may share some qualities with an existing artwork.

New Work at Art Produce – Looking Back/Forward

Tomorrow, May 21st  is the North Park Festival of Arts. During the festival, the Art Produce Gallery will be open with the Looking Back/Forward; An Art Produce Retrospective on display. Here’s some information about the exhibition:

Lee Puffer at Art Produce Gallery Anniversary Exhibition

Invitation to Looking Forward Back at Art Produce Gallery. Lee Puffer at Art Produce Gallery Anniversary Exhibition.

Join Art Produce for a 2-month celebration of the past 15 years of exhibits and the launch of new cultural activities and engagement opportunities for the neighborhood of North Park in San Diego, CA. Looking Back/Forward is a retrospective group exhibition of 25  artists who have previously had solo exhibits at Art Produce. This rotating exhibit will include site-specifici nstallations, and performance based/participatory interactive pieces in the Art Produce Gallery, the Community Room and the Art Produce Garden. Additional weekend activities in May and June include all ages art workshops, artist talks/salons, pop-up dinners, social dance in the beer garden, and the community wide North Park Festival of Arts on Saturday, May21 st 10am-10pm.

ceramic scuplture

Dream of Snakes by Lee Puffer. At Art Produce Gallery in North Park for Looking Forwar/Back. Ceramic Sculpture by Lee Puffer. 2016. The exhibition is open to the public from May 14 to July 3, 2016

 

 

 

 

The Exhibition is open to the public from May 14th through July 3, 2016

Opening Reception: Saturday, June 11 th 6-9pm

Gallery Hours: 11am-6pm, daily. Entry through Tostadas and by appointment.                   Art Produce  3139 University Ave. 619.584.4448  San Diego, CA 92104          www.artproduce.org

 

 

Summer Workshop Registration Now Open

This summer I have the pleasure of leading a two-week Ceramics handbuilding intensive for artists of all levels in the beautiful mountain retreat center, Idyllwild Arts Center.

Plans for the workshop include working from the live model and 24 hour studio access.

Class sizes are small so register now! I can’t wait to see you this summer in Idyllwild.

www.idyllwildarts.org/ceramics for more information and to register.

Workshop Flyer for Lee Puffer Summer Ceramics Intensive

Catalog image for Ceramic Scuplture: Anything is Possible! A two-weel ceramic workshop led by Lee Puffer at the Ifyllwild Arts Center in California

Reaserve your spot in my two-week ceramics intensive in the beautiful mountains of Idyllwild California. This summer, July 4-15, 2016. Register at www.idyllwildarts.org/ceramics

Reaserve your spot in my two-week ceramics intensive in the beautiful mountains of Idyllwild California. This summer, July 4-15, 2016.
Register at http://www.idyllwildarts.org/ceramics

Push Into Your Certainty

Do not avoid conversations about your artwork. When you are asked to explain your work to others it helps you to clarify and distill your ideas. you benefit from these interactions, especially when the people asking are truly interested in the work. When you are asked to defend your ideas, you define them, hone them, and invest in them. You may state your thoughts and opinions, but you wont truly know where you stand until you are asked to defend your position. This is why presidential debates, and debates in general are important. It’s great exercise to defend oneself. It makes you stronger. In art you will be asked to explain your choices, be it material, subject matter, or style. Embrace the opportunity to have conversations where you are asked to defend your position, or to justify your choices. See this not as criticism or evidence that your choices are wrong or invalid, but as an opportunity to be pushed further into your certainty.

IMG_3284

BlowTorch by Lee Puffer. 2016. Watercolor and collage on paper.

IMG_3282

Wisdom or Fear? by Lee Puffer. 2016. Watercolor and collage on paper.

IMG_3268

Attachment by Lee Puffer. 2016. Watercolor and collage on paper.

IMG_3267

Dream of Snakes by Lee Puffer. 2016. Watercolor and collage on paper.

Gallery D

Tonight is the closing reception for It Takes an Artist: A Show About Mentorship at Gallery D in Barro Logan.

Gallery View with sclpture and drawings by Lee Puffer.

Gallery View with sclpture and drawings by Lee Puffer.

Gallery D is an exciting newgallery for contemporary art in San Diego. Yhe gallery is located at 1878 Main Street, Unit D, San Diego, CA 92113. The reception is from 4-10PM tonight.

Faculty Exhibition at Boehm Gallery

The Artist Gets to Decide

How We Measure Things:Difference, by Lee Puffer. Ceramic and found object.

How We Measure Things:Difference, by Lee Puffer. Ceramic and found object.

Ostensibly, Art is concerned with meaning and Craft is concerned with function or use. It is my opinion that the designations Art and Craft should be retired entirely for the sake of dissolving the hierarchy they imply. For the sake of simplicity, I propose that all objects and images made meaningfully be called Art. All idea generators and cultural meaning makers and value adders can be called Artist. The bulky and awkward word Craftsperson should be replaced by more specific terms such as Furniture-maker, Potter, Glassblower, etc., if desired. These people are Artists foremost. The additional, media-specific designations allude to the years and decades of study and practice necessary for excellence in each of these fields.  Ultimately, however, it is up to the Artist to designate herself or himself as such. One calls herself Artist, regardless of a mastery of a specific material or not, if she believes her work to function an intellectual and/or spiritual level in addition to its physical attributes and abilities. In other words, it is Art if it is meaningful, and the Artist gets to decide.