“Cat’s Cradle” by Dave Veit and Lee Puffer, 2015. From an edition of black and white photographs in series.
This photograph is part of an ongoing series of images and sculpture that investigate the notion of desire. Consisting of framed original black and white photographs as well as a series of unglazed white porcelain hands bound by black rope, the work presents a monochrome meditation of desire, complicity, and accountability.
We are ultimately responsible for our thoughts, emotions and actions. Knowing this, it is still near impossible to change or control our deep longings and desires. It is so difficult to master the mind, to resolve the inner conflicts that keep us bound and captive. We are trapped by these inner conflicts. Resisting them only strengthens their hold.
As with all of my work, there are both a personal and political components. The implication of this topic, desire, is broad because so much of how we behave politically is motivated or controlled by how we feel on a deep personal level. Shame about our own fears and desires drives us to deny, suppress, repress. Conflict arises when we deny parts of ourselves, especially the part of us that is complicit with all human perpetuated atrocities. Could it be that our dark secrets denied make us an instrument in a world that is able to ignore slavery and exploitation?
We all hold the rope that keeps other humans in bondage.
This piece is about desire, base, human desire to own, dominate, and control. The human propensity for unspeakable acts of cruelty and depravation is a fascinating topic. How do we make these ideas thoughtful, beautiful, and compelling? How do we make it relevant? This is the job of the artist. Our role is to shine a light on challenging social issues with deft use of arresting imagery. We are drawn in by beauty and provocation. Only then can we ponder the deeper meaning of the work.
(On a technical note) As a figurative artist, I am a student of human anatomy. This rather awkward and painful hanging apparatus was created in Dave Veit’s studio using an aerial yoga swing as structure, as well as the net from my Duende installation. Dave gamely agreed to drill bolt-holes in the beams of his studio ceiling. I took a few aerial yoga classes at Aerial Revolution to prepare for the shoot. Professional photographer Dave Veit did the lighting, photography and postproduction. More work from this series is forthcoming.